BensBeat Top 25 Albums of 2018

Here are the absolute best of the best full bodies of work in the chaotic year that was 2018. Happy new year!

Honourable Mentions:

  • 21 Savage – I Am > I Was
  • The 1975 – A Brief Inquiry Into Online Relationships
  • Camila Cabello – Camila
  • The Carters – EVERYTHING IS LOVE
  • Hayley Kiyoko – Expectations
  • The Internet – Hive Mind
  • Lil Wayne – Tha Carter V
  • Mitski – Be The Cowboy
  • Teyana Taylor – K.T.S.E.
  • Vince Staples – FM!

25. Jeremih/Ty Dolla $ign – MihTy

MihTy.pngTy Dolla $ign might be my 2018 MVP – his vocals appeared on quite a few high-profile albums across a number of genres and he certainly proved his versatility. This collab project with Jeremih sees him back in his element, bouncing his characteristically raspy vocals off of Jeremih’s cleaner, higher-pitched approach to deliver a non-stop run of slow jams and upbeat melodic trap cuts. Teaming up with producer Hitmaka, the two carve out a place in 2018 for the somewhat-dated R&B womanizer figure.

24. Nao – Saturn

Image result for nao saturnNao’s sophomore project is named after the astrological phenomenon of the Saturn’s Return, a period of time around age 29 when Saturn returns to its position at one’s birth that provokes events causing drastic shifts in one’s life and signals complete maturity. Her artistic growth is evident from her debut, adding some excellent and personal songwriting to her already unique and ethereal voice. Nao feels that her personal drastic shift was the end of a long-term relationship, and she addresses her heartbreak across the album’s best tracks. Saturn is a jazzy R&B project about coping with the pains and pressures of finding your way in the world.

23. Panic! at the Disco – Pray For The Wicked

PATD PFTW.jpgStratospheric and theatrical vocalist Brendon Urie’s second album carrying the Panic! at the Disco name all by himself, he delivers some of his best work yet drawing from some aspects of Broadway after making his debut in musical theatre. While it might be their poppiest, the lighter melodies are grounded by roaring guitar underscores and Urie’s flair for a darker, baroque atmosphere. Of course, the centrepiece is still Urie’s powerhouse vocal delivery, a connecting thread making every unique and melodramatic world of sound the band travels to work perfectly – the man can sell anything. These are some spectacular, arena-sized choruses across the board.

22. BROCKHAMPTON – iridescence

Brockhampton Iridescence.jpgThe experimental hip-hop collective’s major label debut after the well-received Saturation trilogy, as well as their first without founding member Ameer Vann after allegations against him were released, BROCKHAMPTON continues on just fine with some eclectic and electrifying new sounds here. The instrumentals often complex and abrasive, the vocalists on top all with their own off-the-wall styles, everything about this project is signals an exciting and dynamic force in the industry who aren’t afraid to throw whatever at the wall even if it doesn’t all stick – most of it does, and the seamless transitions through various genres and musical worlds, each member getting a chance to shine, is an exhilarating rush. The openly gay Kevin Abstract’s discussion of his struggles continues to be a breath of fresh air in hip-hop, as well.

21. Anderson .Paak – Oxnard

Anderson Paak Oxnard.jpegThe burgeoning funk superstar recruits Dr. Dre to executive produce his album and takes more of a turn towards hip-hop and 90s-inspired G-funk than ever before. It might not be his strongest suit, but everything .Paak does is a strong suit, still elevating the project with his boundless charisma and undeniable musicality. Getting some assistance from some great features including Kendrick Lamar, Pusha T and Q-Tip, the spirit of the funk and .Paak’s soulful singing voice can still be found across the board here, but the best part of Oxnard is that you can tell .Paak is having fun and living his dream of making an album with one of his childhood idols. The project takes a turn for the overtly political on “6 Summers”, but for the most part this is just .Paak continuing to flash that giant smile of his in audio form.

20. J. Cole – KOD

JColeKOD.jpgOne of the most densely conceptual albums of the year, the disturbing album cover alone should tell you how deeply Cole is about to dive into some dark and emotional topics here. Embodying several characters across the project’s runtime, Cole describes his observations of his friends and others in his community’s reliance on various addictions – drugs and alcohol, technology, inconsistent sources of money, power and love – to help them cope with depression and anxiety, suppressing their feelings rather than letting them out for fear of judgment. Keeping listeners interested with his technical skills and ability to paint a vivid story, it’s when Cole breaks character and delves into his own life experiences beating these addictions that the album becomes most harrowing.

19. Twenty One Pilots – Trench

TOP Trench Album Cover.jpgThe alt-rock (and everything in between) duo team up to deliver one of my biggest surprises this year, finally bringing the diverse musical worlds they pull from together in a seamless fashion in a huge improvement from their past works. United by a central narrative that apparently plays into a much larger thread running across their entire careers, the songs follow the experiences of a character in the fictional city of Dema, a name that draws from religious aspects of Zoroastrianism. The questioning of faith is just one of the deeper topics the duo address here, but the most compelling are frontman Tyler Joseph’s musings on mental health and celebrity culture, and the frequent romanticization of poor mental health. Trench is enhanced by impeccable production work, every tiny element of each track in the right place.

18. Cardi B – Invasion of Privacy

Cardi B - Invasion of Privacy.pngThe unapologetic rapper who shot to fame at the end of last year drops her debut project that represents one of the most fun and confidence-inducing albums of the year. Everyone has been so drawn to Cardi because she hides nothing about herself, being completely honest and having no filter at all, and that comes across here, dropping bars that can be explicit or carefree in a completely over-the-top way. Cardi is not only absolutely hilarious, but often surprisingly technically skilled, adding to the punch she puts behind every syllable with some quicker flows. The sonic diversity here that ranges from pure hip-hop bangers to calmer, emotional R&B, to Latin pop, shows that Cardi is much more than the one-hit wonder many expected her to be and is here to stay. She has the X Factor.

17. Ella Mai – Ella Mai

Image result for ella mai album coverOne of the breakout stars of the year, Ella Mai sets out bringing back some more traditional R&B to the mainstream in the wake of the more spacey, chill alt-R&B trend dominating the charts. Clearly inspired by early-2000s artists, Mai’s alto range is soothing and effortless as she runs through some vocal acrobatics and clever lyrical flips. Another album with a grounding aspect of connectedness, each small section of the album is introduced by a theme, the first letters of each theme ultimately spelling Mai’s name. The production from DJ Mustard perfectly blends some recognizable old-school sounds with a more modern angle, but by the time you get to the final, stripped-back track, it’s clear that the real excitement associated with Mai is just how great of a singer she is.

16. Travis Scott – ASTROWORLD

Image result for astroworldOne of the most culturally significant albums of the year, it’s safe to say we can add Travis Scott to the pantheon of today’s larger-than-life rap superstars with an album that is equal parts straightforward and fun, creative and risky. The perfect summer rap album, Scott recruits guests from Pharrell to Tame Impala to Stevie Wonder to Drake and dives into a psychedelic and frequently disorienting world enhanced by his Auto-Tuned flow. The listening experience is intended to feel like you’re on an amusement park ride, as the project is dedicated to a childhood favourite park of Scott’s since closed down. Scott approaches these tracks with almost an audible sense of wonderment in his voice, and while you’re never quite sure what you’re going to get, you know it’ll be a good time.

15. Charlie Puth – Voicenotes

Image result for voicenotesAnother huge surprise for me this year, Charlie Puth drops the cheesiness of his past work and moves towards a more mature, yet still distinctly nostalgic sound. His classical training is evident on the brilliantly mixed project, which he produced himself. Anchored firmly in 90s R&B, Puth reminds me a lot of early Justin Timberlake here, and even fits right in with Boyz II Men when he brings them on board for a track. Puth’s wispy falsetto is consistently enjoyable, but it’s the layering and harmonies that really sell Puth as a worthy purveyor of this throwback material, delivering on an understanding of the musicality required to pull off some more complex and interlocking aspects. The guilty pleasure success of the year?

14. Kanye West – ye

Ye album cover.jpgIt’s a wonder that one of Kanye’s least polished albums of his career is still as good as it is. While it’s certainly not without its problems, ye exists as a kind of blend of Yeezus and “Old Kanye” that sees him take some pretty interesting dives into his mental health and its effects on his personal and familial life in the wake of his hospitalization, bipolar diagnosis and opioid addiction. West is at his most lyrical he’s been in a while, and his singing voice has clearly improved as he runs through a number of introspective and confessional tracks backed up by the usual combination of soul samples and minimal, industrial beats. West’s advice to speak your mind freely in times of crisis, stating your thoughts out loud no matter how dark they are and thus exorcising the demons, has resonated with me all year.

13. SOPHIE – OIL OF EVERY PEARL’S UN-INSIDES

Sophie - Oil of Every Pearl's Un-Insides.pngThe endlessly experimental electronic music producer from the PC Music camp finally delivers her debut studio album, and it’s certainly just as much of a mindbending experience as I could have expected. A distorted and beautiful 9-track journey, this is the kind of stuff that could legitimately offer a window to gaze into what the future of pop music can sound like. SOPHIE ranges from punishing, bass-heavy tracks to lengthy, ethereal dreamscapes of cascading synths and calming vocals across this project, everything coming together for a 9-minute closing track where all the sounds are addressed that ultimately just falls apart into a stretched-out hellscape where everything cascades into each other. It’s all something you’ll have to hear to believe – this is something indescribable.

12. Blood Orange – Negro Swan

Negro Swan.jpgEasily one of the most powerful projects of the year comes from one of my favourite producers, Dev Hynes – known as Blood Orange in his solo material. Inspired by various tales of discrimination in his younger years and a dedication to showing love despite an inability to escape being viewed as an outsider regardless of his actions, the spoken word interludes from activist Janet Mock tie the project together as she speaks on perseverance and an embrace of one’s identity – “doing the most”. The sound of the project itself seems to have taken Mock’s advice, a jazzy R&B/funk album with some complex harmonies and wailing freeform solos. A producer at heart, Hynes lets a featured vocalist take over the track most of the time, and he knows just how to use artists’  greatest strengths in the right way. Hynes never beats you over the head with his more political statements here, but smartly disguises them for maximum impact, catching you off guard in the middle of his lush musical world.

11. Ariana Grande – Sweetener

Image result for sweetener coverWho knew we’d ever get an Ariana Grande album mostly produced by Pharrell Williams? Sweetener is easily Grande’s riskiest album, and after taking some time to grow on me, it just might be her best as well. Williams’ glitchy, experimental hip-hop production style is strangely accommodating to Grande’s powerhouse vocal capabilities, adapting her sound to the more hip-hop influenced world of modern R&B. Full of genuine, believable declarations of an intense, whirlwind love and coloured with the slightest hints of lingering pain from the Manchester tragedy, ending the album with a moment of silence, Grande sounds like she’s making the music she wanted to be making all along. With the sometimes chaotic production style, it’s the first time we’re not focused solely on her impressive vocals, but it’s her most personal work all the same.

10. Robyn – Honey

Cover of Honey by RobynThe endlessly influential Swedish pop mastermind returns with her first album in 8 years, and everything we initially loved about her is still there. So much of the modern space of electropop still owes itself to her early work, and she delivers some more upbeat, synth-driven tracks here injected with her usual degree of catharsis and escape from pain through pop music. A warm and inviting sound, every one of these tracks feels like something bigger than music, a kind of awe-inspiring, all-encompassing thing that Robyn invites you to join. This is an all-out pop celebration, but the only reason we’re having it is to forget about all those other not-so-fun things that happened to us. Join Robyn, and keep dancing to stop yourself from crying.

9. Jack White – Boarding House Reach

Image result for boarding house reachRock and roll music is in dire need of someone to come in and shake up the formula right now, any music driven by guitars often nowhere to be found on the top charts. With the polarizing Boarding House Reach, Jack White might be that guy. On a garage and blues rock adventure, White throws song structure out the window and hits listeners with a series of mostly instrumental, distorted tracks that represent some of the most ambitious work I’ve heard on a mainstream release in a long time. White has always had a flair for the melodramatic, and his vocals are theatrical and overly emotional here as he attacks modern capitalism and other topics. White thrives in the chaos, and the various sonic misdirections combined with White’s social commentary turns this into something like performance art.

8. Troye Sivan – Bloom

Troye Sivan - Bloom (Official Album Cover).pngThe best purely pop album of the year? Sivan evokes the 80s with some refreshing and personal lyricism concerning his approaches to relationships as a gay man. Sivan’s vocals are never the flashiest, honest and raw and often kept to little more than a breathy, lower-pitched whisper, but what he doesn’t have in vocal acrobatics he more than makes up for by pouring so much emotion into every note. Most of these instrumentals are dreamy and magical, a perfect soundscape to frame the discoveries and the ventures into adulthood that Sivan speaks of across the project. Sivan’s understated melodies sneak up on you and stick in your head forever, and he ends up pulling off a perfect homage to the pop music he loved growing up without even sounding like he’s trying that hard half the time.

7. Kali Uchis – Isolation

Kali Uchis - Isolation.pngKali Uchis recruits a seriously impressive list of collaborators and blends her classy approach to contemporary R&B with some musical aspects of her own Colombian culture, incorporating some sounds of samba and bossa nova. Isolation is an album where most of the strength comes from the dynamic instrumentals from individuals like Thundercat, Steve Lacy, DJ Dahi and the Gorillaz. Uchis’ breathier vocal style is a complement to any of the wide array of genres arranged around her voice here, but when she takes more control and shows off her impressive range, or starts singing in Spanish, it’s easy to become enamoured with the rising star. The album tells a story with a deliberate sequencing of tracks as Uchis arrives in the USA and overcomes people’s perceptions of her in order to make it in the industry.

6. Amy Shark – Love Monster

Love Monster CD by Amy Shark.jpgThe Australian indie-pop singer-songwriter delivers one of the most relatable, affecting projects about relationships and loneliness I’ve ever heard, even as most of the situations she describes are vividly detailed and specific to her own personal life. Shark’s music is often a charming combination of smartly written pop melodies, acoustic strumming and trap beats, her tone and confessional songwriting reminding me of Taylor Swift at her best in a lot of ways. Shark’s voice is heartbreakingly emotive as she sings about her loneliness and her fondest memories of a great relationship down to the smallest details of locations they went to or remnants left in her house, and her desperate yearning for something real is a believable representation of something we all strive for.

5. Pusha T – Daytona

Image result for daytona album coverYeugh. The veteran rapper kicked off Kanye West’s five-album Wyoming series with a non-stop verbal assault. Long-time collaborators, the rapper and producer come together in perfect harmony and understanding of each other here, West reaching into the darker sides of his production abilities to provide a grim and menacing platform for Pusha T to exert his ruthless and dominating presence. Pusha’s wordplay and punchlines are some of the best in the game right now, and his expressive voice delivers his emotions effortlessly as he sits back on his perch and issues threats with a smile. Standing at 7 tracks, there’s no room for filler here and Push makes sure that every single word counts for something, drawing out his syllables and overpronouncing words to make absolutely certain we understand where he’s coming from. Sorry Drake.

4. Denzel Curry – TA13OO

Image result for ta13oo“Welcome to the darkest side of Taboo”, Curry sings to kick off a section titled “Light”. The dark and aggressive hardcore rap artist takes us on a journey through his mind, dividing the album into sections of Light, Grey and Dark to signify the degree to which he becomes subsumed in the violence and hatred he observes in his community. The sections inevitably become hopelessly blurred, Curry backing up his paranoid and chaotic lyrics and flows with a full-voiced scream that emphasizes his mental chaos. The project ranges from grimy, distorted hardcore tracks to even some more breezy, funk-influenced instrumentals where Curry shows off his dexterous flow without the anger behind it. The final “Dark” section, however, is straight out of a nightmare. Curry addresses a wide range of taboo topics, as the title suggests, from a disturbingly realistic angle, creating a shocking and overwhelming project that completely overrides your senses. Curry is a man possessed, and has the full toolkit of a great rapper to back it up.

3. Kacey Musgraves – Golden Hour

Album Golden Hour cover.jpegIn stark contrast, Golden Hour is one of the most adorably happy albums I’ve ever heard. In the wake of her marriage, the previously cynical Musgraves starts to see the world from a new angle, taking some ambitious cross-genre leaps in the process. Musgraves shifts from witty criticism to a genuine admiration of the beauty the world has to offer, singing about it with her pop-country melodies and softly delivered honesty in her voice. Musgraves’ main strength is her songwriting, and she convinces me completely of this shift in her outlook by injecting some asides that reminds us it’s still her, like on the track “Happy & Sad”. Her voice gives me chills every time on the slower tracks that highlight it. You’re not going to find a more affecting display of pure, essential human emotion this year.

2. KIDS SEE GHOSTS – KIDS SEE GHOSTS

Image result for kids see ghostsComing to expect Kanye West to reinvent the wheel with every project he delivers, I was wondering where the construction of a completely new sound was on his first two Wyoming releases. It’s all right here. Teaming up with longtime collaborator Kid Cudi, West incorporates his alternative and grunge-rock influences for a collision of sounds that shouldn’t work nearly as well as it does here. The two embattled artists lay all their flaws on the line, then turn to each other for support and proclaim their freedom and supremacy over all that holds them back in an extremely powerful way, finding their own personal peace. Another 7-track release where every tiny aspect feels like it belongs, the sheer innovation and creativity behind the sample flips and applications of more rock-oriented work into these hip-hop tracks is like nothing I’ve ever heard before, and the duo both bring the energy to match these driving and high-octane tracks. A grandiose and triumphant statement.

1. Janelle Monae – Dirty Computer

Image result for dirty computerWhy can’t all political statements sound quite this incredible? Janelle Monae combines pop and R&B to look at the judgments in our society through her familiar lens of technology, the accompanying and moving “emotion picture” associated with the album depicting aspects of minority identities as a computer virus which needs to be erased, the person carrying that virus a “dirty computer”. Each of these tracks represents a jubilant memory of self-expression that Monae’s character has “erased” by the disturbing society of the film, cleaning her up. Monae mentioned Prince as a major inspiration for the project, and his presence is clear in the funk basslines and the confidence in Monae’s rap verses. Dirty Computer is a highly sexual album, Monae putting the very essence of her blackness, femininity and pansexuality on display and inviting listeners to the party where this celebration and appreciation for these facets of her identity will take place. The project closes with a speech calling for the rights of various minority groups as gospel-tinged harmonies state plainly: “Love me baby, love me for who I am”.

That’s it for Bensbeat in 2018, and with some exciting projects already on the radar for 2019, let’s hope some more great music is on the way. I’ll be back in the new year with some projects that dropped right at the end of the year, and then the new releases will start pouring in once again. Thanks for reading this year.

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BensBeat Top 50 Songs of 2018

Music in 2018 can be mostly defined by the continued rise in prominence of hip-hop, taking over from rock as the most listened to genre for the first time. As both a rather limitless, rule-free form creatively and a way to express protest, almost every genre drew elements from hip-hop this year. We also got a huge number of high-profile releases as the album form slowly evaporates and artists become more prolific. A Spotify playlist of this list is linked at the bottom of the article!

Here are my favourite songs from the huge tide of great music we got this year.

Honourable Mentions:

  • 21 Savage – a lot (Ft. J. Cole)
  • Carly Rae Jepsen – Party For One
  • The Carters – SUMMER
  • The Decemberists – Sucker’s Prayer
  • Denzel Curry – SWITCH IT UP | ZWITCH 1T UP
  • Johnny Balik – Honey
  • Lil Wayne – Dedicate
  • Migos – Narcos
  • ScHoolboy Q, 2 Chainz, Saudi & Kendrick Lamar – X
  • Vince Staples – FUN!

50. Mac Miller – 2009

Image result for mac miller swimmingThe last song Mac Miller ever performed live, his look back on his career and personal growth over some uplifting piano chords took on an added level of meaning after his passing.

49. Hozier – Nina Cried Power (Ft. Mavis Staples)

Hozier recruits one of the greatest to pay tribute to artists who recorded impactful protest songs throughout history, backed up by some soulful choral vocals.

48. Twenty One Pilots – Morph

Image result for twenty one pilots trenchThe band finally perfects their manic genre-mixing, creating a rollercoaster of a track that flawlessly shifts through eerie rap verses, an 80s pop chorus and even some tropical house elements.

47. The Internet – Hold On

Image result for the internet hive mindA 6-minute slow burn, Steve Lacy’s instantly recognizable guitar work is entrancing throughout as Syd’s soothing vocals complete the picture.

46. Maggie Rogers – Light On

HIIAPL Maggie Rogers.jpgSuperproducer Greg Kurstin strikes again with an exciting rising star, as Rogers blends her near-gospel sensibilities with a more traditionally structured pop track.

45. Hayley Kiyoko – Curious

Image result for hayley kiyoko expectationsFeaturing a pretty perfectly structured pop chorus, Kiyoko’s harmonized rapid-fire vocals stuck with me throughout the whole year.

44. Amy Shark – The Slow Song

Image result for amy shark love monsterAmy Shark’s incredibly specific yet overwhelmingly relatable lyrics, in combination with her blend of hip-hop influenced beats with her softer singer/songwriter tone, reach their peak on this emotional ode to looking out at that one person across the dance floor.

43. Anderson .Paak – Cheers (Ft. Q-Tip)

Image result for anderson paak oxnardOn the closing track of  .Paak’s Oxnard, he teams up with the capable Q-Tip to reminisce on good times with their recently departed friends – Mac Miller and Phife Dawg – over some hard-hitting synth-funk chords.

42. Pusha T – The Games We Play

Image result for daytona pusha tI could never get tired of the griminess in Pusha T’s vocal delivery. His energy is in top form here, dropping non-stop bars of  vivid imagery and clever wordplay.

41. Joji – SLOW DANCING IN THE DARK

Image result for joji ballads 1A complete evolution from the former absurdist comedian, Joji’s take on the current trend of moody alt-R&B features some absolutely beautiful and explosive digitized synth tones that support his emotionally charged delivery.

40. BROCKHAMPTON – NEW ORLEANS

Image result for iridescenceThe rap collective opens their first major label studio album with a bang. The off-the-wall group trade some equally bombastic verses over a supercharged instrumental.

39. Nao – Another Lifetime

Image result for nao saturnRecorded after a breakup, hearing this much genuine emotion in Nao’s usually calm and collected vocal tone is incredibly moving as she sings about the loss of a once-in-a-lifetime connection.

38. Bas – Purge

Image result for bas milky wayOne of my biggest growers this year, the Dreamville rapper’s speedy flow and switch-ups are top-notch as he easily navigates through an entertaining and soulful sample flip.

37. Ariana Grande – God is a woman

Image result for sweetener coverWhen I saw the video for the first time I became convinced that this would slowly grow into one of Grande’s most memorable career songs years down the road. The choral ending of this track is truly transcendent.

36. Kero Kero Bonito – Make Believe

Image result for kero kero bonito time n placeOne of the most similar tracks to their earlier work on the experimental pop collective’s latest, heavier project, Sarah Bonito’s adorable voice is at its best over some colourful and animated synth tones.

35. James Bay – Pink Lemonade

Image result for james bay album coverAn energetic retro-pop track featuring Bay’s new, more upbeat style over some crunchy guitars and a conclusion with some seriously catchy harmonized chants.

34. BTS – Paradise

Image result for bts love yourself tearWestern pop music watch out – the K-pop invasion is coming over quickly. The wildly popular boy band applies some aspects of 90s West Coast hip-hop to this track.

33. Jack White – Corporation

Image result for jack white boarding house reachA lengthy, mostly instrumental monster of a track – I was so happy to observe White doing something so  innovative and different with the rock and roll format. This is White at his most theatrical, embodying some sort of deranged preacher.

32. KIDS SEE GHOSTS – Reborn

Image result for kids see ghosts“Keep moving forward”. The centrepiece of the spectacular Kids See Ghosts album, Kanye West and Kid Cudi lean on each other for support as they discuss their respective mental health issues.

31. Janelle Monae – Make Me Feel

Image result for dirty computerFeaturing a guitar riff produced by Prince himself, Janelle Monae proves she’s the closest living artist with this slick and sensual synth-funk track.

30. J. Cole – Kevin’s Heart

Image result for kod j coleOn an album where J. Cole talks about the dangers of giving yourself over to various addictions, love proves the strongest drug of all as Cole embodies a character struggling with fidelity – with a fun videogame-esque beat and some serious technical skill to back it up.

29. Lauren Jauregui – Expectations

Image result for lauren jauregui expectationsThe ex-Fifth Harmony member sounds like a young Alicia Keys over a minimal beat that places the spotlight on her impressive and emotional vocal showcase. How great would her boyfriend Ty Dolla $ign sound on this soulful track??

28. Blood Orange – Saint

Image result for negro swanThe producer extraordinaire goes in more of an R&B/funk direction than ever before, offering a complex and jazzy musical world amplified by some great gospel-tinged harmonies – “doing the most”, as the album’s powerful theme puts it.

27. Charlie Puth – Empty Cups

Image result for charlie puth voicenotesThe song that never left my head all year, this is just a smartly structured, bouncy 90s R&B chorus from the classically trained pop singer who really surprised me this year.

26. Mitski – Nobody

Image result for mitski be the cowboyIndie-pop singer-songwriter Mitski’s voice already sounds like it belongs to another era, and the near-disco, overly energetic flavour of the instrumental here, in stark contrast with Mitski’s lyrics nearly losing her mind due to loneliness, completes the retro-pop image.

25. Cardi B – I Like It (Ft. Bad Bunny & J Balvin)

Image result for cardi b invasion of privacyLatin trap exploded into the mainstream this year, and none harnessed it better than Cardi B, recruiting two of the genre’s biggest stars. Cardi’s aggressive flow never fails to enliven me, and that sample flip is a great added touch.

24. Kim Petras – Heart To Break

Image result for kim petras heart to breakAn all-out bubblegum pop extravaganza. Petras hits some seriously impressive notes on the chorus, but the whole song moves along with this irresistible driving energy that’s hard to ignore.

23. RL Grime – Take It Away (Ft. Ty Dolla $ign & TK Kravitz)

Image result for rl grime novaI was sent to another dimension the first time I heard the drop on this track. Those deafening, steadily growing synths and well-placed silences makes it feel like someone is repeatedly firing up some kind of generator. Ty Dolla $ign is always more than capable on the mic as well.

22. Kacey Musgraves – High Horse

Image result for golden hour kacey musgravesThe country artist’s poppiest song yet, we all know someone like this song’s subject. Musgraves blends the slightest of country aspects in the instrumental with an 80s dance beat and some sharp harmonies.

21. Robyn – Because It’s In The Music

Image result for robyn honeyThe Swedish pop savant has always found the perfect way to encapsulate the feeling of crying on the dance floor, partying the pain away, and this track is no exception. The track feels like an escape, easy to get lost in the inviting musical world.

20. Ella Mai – Trip

Image result for ella mai album coverThe piano-heavy R&B track brings a classic sound back in a big way, Mai’s effortless and silky-smooth vocals commanding your attention. Something about that staccato phrasing in the hook makes the track irresistably catchy.

19. Anderson .Paak – Tints (Ft. Kendrick Lamar)

Image result for oxnard album coverTwo of the most charismatic artists in the industry link up for this paranoid and humorous funk track where .Paak just wants some privacy. I absolutely love songwriter Tayla Parx’s contribution to the harmonized outro – her discography this year alone is incredible.

18. Janelle Monae – Screwed (Ft. Zoe Kravitz)

Image result for dirty computerA call for a final party before the bomb drops, this might be the most overtly political track on an already defiant and revolutionary album. The track’s title serves as a poignant double entendre, Monae sounding like she’s having the time of her life in the studio over some shiny guitar riffs.

17. Nas – Cops Shot The Kid (Ft. Kanye West)

Image result for nasirThe cops shot the kid the cops shot the kid the cops shot the cops shot the kid the cops shot the kid the cops shot the cops shot the kid the cops shot the kid the cops shot the cops shot the kid the cops shot the kid the cops shot the cops shot the kid the cops shot the kid the cops shot the cops shot the kid the cops shot the kid the cops shot-

16. DRAM – Best Hugs

Image result for dram that's a girls nameThe most lovable guy in the music industry is back to steal your girl – the one with the incredible hugs – and criticize you for letting her get away. My most listened-to song of the year, it’s the combination of ridiculousness and legitimately great musicality that only DRAM can pull off.

15. Camila Cabello – Consequences

Image result for camila album coverOof. This song hit me right in the feels from the first time I heard it, a sparse piano ballad where Cabello offers some deeply personal lyrics about the end of a relationship where her trust was broken beyond repair. The orchestral version released as a single just brought the tears back in full force.

14. Denzel Curry – SUMO | ZUMO

Image result for denzel ta13ooThe sheer force with which Denzel screams that second introductory “OKAY?!” signals just what kind of a punishing track lies ahead. Heavy bass rattles as the horrorcore rapper goes to work with his dexterous flow. Charlie Heat is one of the best rap producers in the game.

13. SOPHIE – Faceshopping

Image result for oil of every pearl's un-insidesI’m just now realizing that I shouldn’t have put these two tracks beside each other. Another track out to unleash a full frontal assault on the listener, the experimental producer’s work is constantly disorienting, yet connected by a recognizable, pop-influenced thread, represented here by a rhythmically spoken – and likely sarcastic – ode to materialism.

12. Troye Sivan – Dance To This (Ft. Ariana Grande)

Image result for troye sivan bloomAnother track with an unreasonable amount of plays on my personal Spotify this year, Ariana Grande tones down her usually powerhouse vocals to match the subtle yet powerful approach of Australian pop artist Troye Sivan. A perfect slow dance song straight out of the 80s, that synth hook that introduces the song makes it a grower.

11. Childish Gambino – This Is America

Image result for this is america artworkEven without the brilliant and viral music video associated with the track, Childish Gambino’s views on the state of the world presented through the intentionally inane and distracting lens of trap music is still one of the most important statements of the year – even if I wish the standalone song still had those gunshots in it.

10. Kali Uchis – Flight 22

Image result for kali uchis isolationKali Uchis has often stated that she draws heavy inspiration from Amy Winehouse, and it’s never more evident than on this track. A downtempo track that verges on dreampop, the twinkling keys and string section highlight her smooth and sensual vocal inflections.

9. Pusha T – If You Know You Know

Image result for pusha t daytonaI knew I was in for something mindblowing with the Daytona album when this was the opening track. Featuring some of the most quotable lines of the year and a crisp, chopped-up guitar sample from Kanye West, Pusha T is absolutely out for blood on this one and he doesn’t care who gets caught in the crossfire.

8. Ariana Grande – thank u, next

Image result for thank u nextAriana Grande has been having a horrible year – and this was the most brilliant way possible to address it in song form. Recorded only a few months after her Sweetener album, Grande speaks out about how she’s learned from the pain and come out better for it, thanking each one of her ex-lovers for the person she’s become. But of course, we still need that dismissive and cathartic “next”.

7. Travis Scott – SICKO MODE (Ft. Drake)

Image result for astroworldThe fact that this disjointed, endlessly creative track became a #1 hit single is nothing short of amazing. Most of Travis Scott’s latest work is as chaotic and disorienting as the amusement park it’s inspired by, and this endlessly fun rap track shifts through 3 completely different segments as Scott keeps things lively with an energetic flow. For all the average work he’s put out this year, Drake absolutely steals the show with his verse.

6. Kanye West – Ghost Town (Ft. PARTYNEXTDOOR, Kid Cudi & 070 Shake)

Image result for ye album coverIt’s impossible not to feel something when new G.O.O.D. Music signee 070 Shake arrives on the outro of the track with her repeated and earnest mantra about freedom, breaking free from the pack. I can only imagine the experience singing it live with a crowd. The classic soul sample flip provides an excellent backbone to the track as well, West delivering some of the best singing he’s done in his career on his verse.

5. Kacey Musgraves – Rainbow

Image result for kacey musgraves golden hourI’ve always loved the complete purity in Kacey Musgraves’ vocals – she definitely has one of my favourite voices in the industry right now. The closer to her excellent Golden Hour is a lower-key track that highlights just how much emotion she can put into it as well, and it never fails to make me tear up just a little. A bittersweet track, Musgraves sings to someone who is incapable of seeing all the love they have around them.

4. Rina Sawayama – Cherry

Image result for rina sawayama cherryThe best pure pop song of the year, the always eccentric Rina Sawayama once again recruits experimental producer Clarence Clarity for an upbeat and endlessly layered track where Sawayama can’t contain her desire. Her dedication to taking the sound of early 2000s pop and modernizing it in a huge way is so engaging, those chords so familiar but twisted in such a new way as well. Every instrumental aspect of this track is a maddeningly catchy hook in and of itself.

3. KIDS SEE GHOSTS – 4th Dimension

Image result for kids see ghostsWhere does Kanye find these samples? One of the most creative sample flips I’ve ever heard, this was easily the standout on one of the year’s best albums as West completely refigures a Christmas song from the 1930s for his own purposes, isolating the part of the track that has the most untapped energy and applying a driving, tribal rhythm overtop. Kid Cudi doesn’t often spit a purely rap verse, but he more than keeps up with West here.

2. Amy Shark – Don’t Turn Around

Image result for amy shark love monsterIt’s shocking how singer-songwriter Amy Shark can describe such a detailed, specific scenario in her songs that still comes across as so relatable, to the tune of some smartly written pop melodies. Shark keeps getting into situations where she’s forced to see her ex, simultaneously imagining a future whirlwind reconnection and frantically telling herself to just let it go. Some of my favourite lyrical content of the year, Shark’s unassuming vocal delivery fits the picture while her strummed acoustic chords are warm and easy to return to.

1. Janelle Monae – I Like That

Image result for dirty computerMy favourite track off of Dirty Computer, it represents the culmination of all the powerful statements of self-assertion Monae delivers across the project. “I’m the random minor notes you hear in major songs” might be my favourite song lyric of all time. Monae might not be for everybody, but she couldn’t care less – deviation from the norm is exactly where she belongs, and if she’s the only one on board with what she’s putting forward, then that’s perfectly fine. Monae sounds effortlessly cool on the track, delivering some impressive vocal runs and even a rap verse addressing a school bully, and the repeated backup vocal line is just the perfect set of soulful chords that keeps me returning. Keep doing what you do best, Janelle.

That’s the music that got me through this year, stay tuned for my Top 25 albums of the year on Friday, when we’ll say “thank u, next” to the music of 2018.

Check out this list on Spotify below!

https://open.spotify.com/embed/user/22c72yrohsaragcu6c43zj6fa/playlist/6abpgfxueTZr6FspGVIHyE

Rapid Fire Reviews (The Weeknd, Kacey Musgraves, Hayley Kiyoko)

MyDearMelancholy - album by The Weeknd.jpgThe Weeknd – My Dear Melancholy,

Canadian pop/R&B superstar The Weeknd releases a 6-song EP a year and a half after the successes of Starboy that sees him return to a sound that many fans have been missing. My Dear Melancholy, is much darker than we’ve heard him get in a while. While it’s difficult for Abel to completely shed his pop sensibilities at this point, this EP is as close to Trilogy as we’re going to get, the production more open and allowing his vocals and lyrics to shine. This is the version of The Weeknd that kickstarted the entire genre of alt-R&B, and he recruits a list of great collaborators to make it happen.

Opening track “Call Out My Name” became the biggest track to come from this project, and it’s easy to see why. It rides a similar vibe as “Earned It”, a song that served as somewhat of a transitionary period from one style to the next, but the passion with which he delivers that soaring chorus, his haunting pitch-shifted and distorted vocals repeating the refrain behind him, is what sells the track. We can tell that Abel is back in that tortured emotional place that allowed him to deliver his best music. Lyrically, we’re back to the nihilistic and debaucherous artist that knowingly lives a lifestyle that is mentally and physically damaging – there’s some pretty dark content on here inspired by real life events, and the creeping, grim soundscapes of Trilogy infused with parts of the synth beats and Daft Punk-esque production on tracks like “Try Me” and “Hurt You” is an interesting place to put them. The Weeknd’s persona has always been incredibly fascinating to me, and this is him at a complete juncture of an artist, almost like a career retrospective over 6 tracks.

Abel has an impressive list of producers here – Frank Dukes and Skrillex hold things down on the pop side, while Yeezus auteur Gessafelstein and Daft Punk’s Guy-Manuel de Homem-Christo himself appear as well. Dukes and Skrillex’s “Wasted Times” is the poppiest instrumental here, a skittering, glitchy breakbeat that drops into an EDM-style breakdown with pitch shifted vocals – but Abel’s rhythms and state of mind are pure Trilogy, repeating “I ain’t got no business catching feelings”. The calming falsetto outro shows just how much we forget how great his vocals can be, something he displays in full on heartbreaking closer “Privilege” – the track, combined with “I Was Never There”, contains some truly compelling and deeply disturbing references to Abel’s substance abuse in dealing with pain. “Hurt You” might be my favourite track of all, a great combination of his old and new styles as Abel delivers a catchy falsetto melody over the same kind of old-school dance breakbeat as we hear on hits “Starboy” and “Pray For Me”.

There have been rumours that there will be forthcoming EPs, possibly playing off of the comma in the title of this one. If this is the case, The Weeknd knows exactly what he is doing and I’m very excited for a more commercially viable 2018 update of Trilogy.

Favourite Tracks: Hurt You, Call Out My Name, Wasted Times

Least Favourite Track: Try Me

Score: 8/10

Album Golden Hour cover.jpegKacey Musgraves – Golden Hour

Critically acclaimed country-pop artist Kacey Musgraves’ third studio album sees her trade in her cynical and witty lyrics for an incredibly adorable celebration of her new marriage that sees the world in a much more positive light. Musgraves’ warm and inviting vocal delivery has always been one of my favourite singing voices in the entire music industry, and hearing it on some more personal material here is very affecting. Musgraves’ music has never truly been pure country, and she takes some of her most ambitious cross-genre leaps yet on this project that showcase her crossover potential. With Golden Hour, Musgraves has delivered a stunning opening trilogy of albums.

The entire album is infused with a sense of wonderment that creeps its way into Musgraves poignant lyrics, previously used for biting satire but now settling into “I’m alright with a slow burn, taking my time let the world turn” as she sings sweetly on the opening track. Backed by little more than a pop-country acoustic guitar pattern, the track eventually swells into a string section bridge and uplifting backing vocals. Musgraves accepts that she can’t maintain her previous position as a holier-than-thou sass machine and steps back to marvel at the beauty she can find in the world, and it’s amazing to witness. Musgraves’ instincts to write a great pop melody are still top notch, as emphasized by single “Butterflies” and especially standout track “Lonely Weekend” – the charming country background of most of these songs simply provides an interesting instrumental twist to these sensibilities. “Butterflies” is characterized by a mixture of twinkling, poppy piano chords and the acoustic, slide guitar patterns that appear across Same Trailer, Different Park. The softly delivered honesty in her vocal performance easily welcomes harmonies, and they strengthen her heartfelt declarations. When the music drops back and she reaches into her falsetto to deliver “You give me butterflies”, it’s too cute to handle.

Musgraves’ main strength is her songwriting – it should have been tough to convince us of her belief in this completely new view of the world, but the way she pours genuine emotion into every note and word makes us feel every aspect of her love for her husband. Even when tracks like “Oh, What A World” are relatively samey, Musgraves’ awestruck persona is captivating. Her classic wordplay is still present on “Space Cowboy” – which still gives me chills, and “Happy & Sad” brings back the creeping cynicism as she anticipates the inevitable end of “the time of [her] life” through the greatest harmonies on the project– it’s still the same Kacey. The most interesting track, however, is “High Horse”, a disco-influenced track that marks a completely new direction – it’s pretty incredible that she manages to keep some country aspects in the background and pull it off so well, judging by the huge 80s dance beat, synth bassline and adorably kitschy harmonies in the forefront. Closing track “Rainbow” is such a beautiful, earnest love letter that it still almost makes me cry a month later, but this review is getting too long.

I wish I had space to talk about every single track on this album, they are all perfect in their own, tiny, personal way. Musgraves’ subject matter finally matches the extremely pleasant tone of her voice, and the result is an album that successfully blocks out all the bad in the world for 45 minutes.

Favourite Tracks: High Horse, Lonely Weekend, Rainbow, Space Cowboy, Happy & Sad

Least Favourite Track: Wonder Woman

Score: 10/10!

Hayley Kiyoko - Expectations.pngHayley Kiyoko – Expectations

Dreampop artist and outspoken LGBT activist Hayley Kiyoko finally releases her debut studio album after a string of EPs, and for the most part connects with a series of upbeat, danceable pop tracks. While her songwriting could likely benefit from the hitmaking spark of someone like a Max Martin, a few melodies and chord progressions often going a different way you expect them to, in general Expectations lives up to them, especially once single “Curious” signals a seismic shift into the much more fun second half of the project.

Quite a few of these tracks ride over energetic synth basslines and ethereal, dreampop harmonies. Despite the lack of recognizable contributors to the project, the production across the board carries the project where Kiyoko’s vocal performance lacks a distinct sense of personality and artistry. After a world-establishing overture featuring the sounds of the beach, we drop into “Feelings”, a pristine pop track that takes a central melody and plays with it in as many ways as it can, dropping into a half-time trap section and a Prismizer-esque vocoder section near its back half. It’s a very well-written and catchy track that shows just how much Kiyoko still has room to grow as she gains a more mainstream audience. This is the kind of stuff a lot of people could quickly and easily latch onto. Single “Curious” is the centrepiece and is sure to be one of the greatest pop tracks released all year despite its January release date. The synth swells leading up to the tiny pause before the infectious chorus drops electrifies the track with energy, and Kiyoko’s harmonized rapid-fire vocals are something to behold – that bassline reminds of a Fifth Harmony track on steroids.

The last 5 tracks of the album are pure pop magic as well, especially “Palm Dreams”, a bit of a 2000s-pop throwback perfect for summer which features pitch-shifted vocals and an almost new jack swing percussive feel, inviting listeners to an electrofunk party. “Wanna Be Missed” uses a trap hi-hat to its utmost rhythmic potential, complementing a baseline swung synth melody and earth-shattering bass as the intense chorus kicks in, while “Let It Be” is a great closer – a calm-down of sorts with a quieter instrumental that can still support a huge singalong chorus. It’s one of the best written pop melodies here, minor notes in just the right places.

Expectations can feel slightly generic at times, especially as so many of Kiyoko’s contemporaries are rapidly expanding the boundaries of just what pop music can entail – most of these tracks possess the same kind of basic structure, the same chords building up to a more explosive, percussive chorus. A track like “Sleepover” never really gets going, featuring the same synth-bass stabs as the preceding tracks without as strong or energetic of a melody. The back to back mashup tracks “Mercy/Gatekeeper” and “Under the Blue/Take Me In” continue to lose the energy and direction of the project before “Curious” snaps us back in – there are a few weird melodic decisions and abrupt shifts between ideas across the whole saga, as we wait for the pop sugar rush that we know she can deliver to kick back in.

Expectations is a very solid debut pop project that doesn’t shy away from bringing something like a bisexual duet with Kehlani to the attention of the mainstream audience. When it connects, it’s high-octane fun – there’s nowhere to go from here but up.

Favourite Tracks: Curious, Let It Be, Palm Dreams, Feelings, Wanna Be Missed

Least Favourite Track: Under the Blue/Take Me In

Score: 7/10

Kacey Musgraves – A Very Kacey Christmas

In the midst of Halloweening, critically acclaimed country singer Kacey Musgraves inexplicably decides that it is already time for Christmas, and releases a delightful collection of songs. The project contains new and interesting spins on some classics, four great originals and a heavy infusion of the adorable personality we’ve come to love her for. There are a select few artists that I will actively seek out Christmas music from, and Musgraves is one — her sugary sweet vocals can put a smile on my face singing anything any all. A lack of many other interesting projects released this week did not help either. But although I may be somewhat of a Scrooge when it comes to Christmas music, I must admit that this project made me incredibly happy.

One thing that excited me about the project immediately were its collaborations. On the fantastic original “Present Without A Bow”, Musgraves teams up with fellow Texan and rising soul singer Leon Bridges, and it is the match made in heaven I never saw coming. She also reunites with country legend Willie Nelson (who is in his 80s and sounding great) after including him in a bonus track on her previous album Pageant Material, on the ridiculous and appropriately titled “A Willie Nice Christmas”. On two classic Christmas songs, she recruits Western swing fiddle group The Quebe Sisters, whose combined voices sound like something directly out of a 1950s TV Christmas special and add to the overall vintage feel of the entire project.

Image result for kacey musgraves

The four original songs included on the project are all able to stand on their own. She recruits many of the same songwriters that contributed to her studio albums such as Brandy Clark, now an esteemed singer in her own right, and Shane McAnally, and they continue to deliver. The collaboration with Bridges truly shines, combining the styles of the two perfectly as slide guitars and horn sections collide over a bouncy piano beat. The two are both incredible singers, and their harmonies on the catchy chorus come across very well. Another great track is “Christmas Makes Me Cry”, a song Musgraves states she included in order to capture the lonely side of Christmas when loved ones can’t be present that nobody talks about, and it really works. Throwing in a heartbreaking line like “It’s always sad seeing mom and dad/getting a little greyer” continues the tradition of emotionally jarring Musgraves songwriting.

The genre-spanning spins she put on some of the classic Christmas carols surprised me as well. Musgraves really wanted to experiment here, and has given interviews describing the recording process as the most liberated she’s felt with music. She covers Mele Kalikimaka and it sounds authentic, and applies the same Hawaiian flavour to “A Willie Nice Christmas”, even throwing in a reference to Waikiki to confirm the inspiration. “Christmas Don’t Be Late” (Yes, the Alvin and the Chipmunks song) sounds like you’re floating down the river in Vienna, complete with accordions and an oom-pah-pah beat. And what other country singer than the one whose music is banned from many country stations could pull off a mariachi cover of “Feliz Navidad”? She makes some simple songs like “Let It Snow” newly quite musically complex as well, adding beautiful harmonies and spiraling and almost improvisational-sounding instrumentation.

Image result for kacey musgraves

Musgraves herself is adorable and hilarious as always, making some absolutely endearing choices across the board. Putting some of the more childish Christmas songs like “I Want A Hippopotamus For Christmas”, “Christmas Don’t Be Late” and “Rudolph” shouldn’t have been too much of a surprise given how much she goofed around on stage when I saw her in concert. When Musgraves sings “I still want a hula hoop”, she means it as much as a child on Christmas Eve would. She sees the inherent humour in rehashing these songs that we all know too well as well, explaining that “Feliz Navidad” means Merry Christmas in the middle of the song, and introducing “Rudolph” by saying in her most overly Southern voice “Well, here’s one for all the little kids”. She even brings on a chorus of children to shout “LIKE A LIGHTBULB”.

But although Musgraves’ sweet voice still works well on these sillier songs, when things take more of a mature turn is where her voice really shines. Musgraves is one of my favourite singers in the world for a reason, and her chills-inducing performance of “What Are You Doing New Year’s Eve” to close the album is something breathtaking.

A Very Kacey Christmas is about as good as a collection of Christmas music can get, and any new music from Musgraves is very welcome in my book. Thanks to her, I’ll probably be listening to Christmas music all November and annoying most of my friends. One has already chastised me for posting one of these songs on Facebook the day after Halloween.

Favourite Tracks: Present Without A Bow, What Are You Doing New Year’s Eve, Christmas Don’t Be Late, Feliz Navidad, Christmas Makes Me Cry

Score: 🎄/10