Four and a half years after their polarizing project Relaxer, British indie-rock titans alt-J have finally returned to sway opinions back in the opposite direction – essentially, by going full The 1975 and crafting a compilation of some of their craziest instrumental palates and songwriting concepts yet. With influences ranging from barbershop to opera and … Continue reading alt-J – The Dream
Indie Rock
The Lumineers – BRIGHTSIDE
Now down to two members and releasing their fourth studio album ten years after their biggest international hit in “Ho Hey,” it would seem that against all odds, Colorado folk-rock outfit The Lumineers are having a bit of a resurgence in popularity, even racking up some impressive streaming numbers. It just goes to show that … Continue reading The Lumineers – BRIGHTSIDE
Snail Mail – Valentine
After breaking through at the age of only 19 to enormous critical acclaim with her debut album Lush in 2018, Lindsey Jordan and her musical project that is indie-rock outfit Snail Mail have returned with an album that responds to the romantic optimism expressed on their debut. Seemingly a prominent theme this year, we now … Continue reading Snail Mail – Valentine
The Killers – Pressure Machine
Conceived in the empty period of time when The Killers were meant to be on the road touring their critically acclaimed 2020 project, Imploding the Mirage, the Las Vegas alt-rock and new wave titans’ seventh studio album Pressure Machine is described by frontman Brandon Flowers as containing “songs that would have otherwise been too quiet and drowned out by … Continue reading The Killers – Pressure Machine
St. Vincent – Daddy’s Home
Three and a half years after teaming up with perennial producer of the moment Jack Antonoff for the excellent Masseduction, alt-rock and indie-pop superstar St. Vincent is back with something completely different – business as usual for the multi-instrumental experimentalist. Her sixth album Daddy’s Home is loosely based off of a moment of reckoning with … Continue reading St. Vincent – Daddy’s Home
Julien Baker – Little Oblivions
With 2021’s album drought continuing to allow me to shed some light on some smaller artists that likely wouldn’t be featured on this blog, the most popular album of the past week actually belonged to indie rocker Julien Baker. Gaining more attention after her Boygenius bandmate Phoebe Bridgers’ recent explosion to the tune of five … Continue reading Julien Baker – Little Oblivions
beabadoobee – Fake It Flowers
It feels like we’ve been hearing the name beabadoobee as someone to watch for a long time, opening up for acts like the 1975 and Clairo and getting shoutouts from some of the planet’s biggest musical stars, so it’s surprising that she’s still only 20 years old. Now with a TikTok smash hit to her … Continue reading beabadoobee – Fake It Flowers
The Killers – Imploding The Mirage
After a couple side projects from lead singer Brandon Flowers, post-punk revivalists The Killers stormed back onto the scene with 2017’s Wonderful Wonderful and show no signs of slowing down. Often thought of as a highly influential band that left many imitators in their wake, their latest project sees them smartly sticking to a couple … Continue reading The Killers – Imploding The Mirage
HAIM – Women In Music Pt. III
After a couple of agonizing delays for this massive fan of their debut, pop-rock sister trio HAIM’s third studio album has finally arrived. While Days Are Gone was a gamechanger as HAIM exploded onto the scene with their sharp songwriting and pristine rhythms, the added sheen of production and looser song structure on their follow-up … Continue reading HAIM – Women In Music Pt. III
The 1975 – Notes On A Conditional Form
Polarizing and provocative pop-rock outfit The 1975 have only striven harder and harder to make the kind of experimental and mind-opening music to match what often comes across as delusions of grandeur and strained connections of their work to global activism as their careers have progressed. After somewhat of a breakthrough with their past album, … Continue reading The 1975 – Notes On A Conditional Form
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