BensBeat Top 50 Songs of 2018

Music in 2018 can be mostly defined by the continued rise in prominence of hip-hop, taking over from rock as the most listened to genre for the first time. As both a rather limitless, rule-free form creatively and a way to express protest, almost every genre drew elements from hip-hop this year. We also got a huge number of high-profile releases as the album form slowly evaporates and artists become more prolific. A Spotify playlist of this list is linked at the bottom of the article!

Here are my favourite songs from the huge tide of great music we got this year.

Honourable Mentions:

  • 21 Savage – a lot (Ft. J. Cole)
  • Carly Rae Jepsen – Party For One
  • The Carters – SUMMER
  • The Decemberists – Sucker’s Prayer
  • Denzel Curry – SWITCH IT UP | ZWITCH 1T UP
  • Johnny Balik – Honey
  • Lil Wayne – Dedicate
  • Migos – Narcos
  • ScHoolboy Q, 2 Chainz, Saudi & Kendrick Lamar – X
  • Vince Staples – FUN!

50. Mac Miller – 2009

Image result for mac miller swimmingThe last song Mac Miller ever performed live, his look back on his career and personal growth over some uplifting piano chords took on an added level of meaning after his passing.

49. Hozier – Nina Cried Power (Ft. Mavis Staples)

Hozier recruits one of the greatest to pay tribute to artists who recorded impactful protest songs throughout history, backed up by some soulful choral vocals.

48. Twenty One Pilots – Morph

Image result for twenty one pilots trenchThe band finally perfects their manic genre-mixing, creating a rollercoaster of a track that flawlessly shifts through eerie rap verses, an 80s pop chorus and even some tropical house elements.

47. The Internet – Hold On

Image result for the internet hive mindA 6-minute slow burn, Steve Lacy’s instantly recognizable guitar work is entrancing throughout as Syd’s soothing vocals complete the picture.

46. Maggie Rogers – Light On

HIIAPL Maggie Rogers.jpgSuperproducer Greg Kurstin strikes again with an exciting rising star, as Rogers blends her near-gospel sensibilities with a more traditionally structured pop track.

45. Hayley Kiyoko – Curious

Image result for hayley kiyoko expectationsFeaturing a pretty perfectly structured pop chorus, Kiyoko’s harmonized rapid-fire vocals stuck with me throughout the whole year.

44. Amy Shark – The Slow Song

Image result for amy shark love monsterAmy Shark’s incredibly specific yet overwhelmingly relatable lyrics, in combination with her blend of hip-hop influenced beats with her softer singer/songwriter tone, reach their peak on this emotional ode to looking out at that one person across the dance floor.

43. Anderson .Paak – Cheers (Ft. Q-Tip)

Image result for anderson paak oxnardOn the closing track of  .Paak’s Oxnard, he teams up with the capable Q-Tip to reminisce on good times with their recently departed friends – Mac Miller and Phife Dawg – over some hard-hitting synth-funk chords.

42. Pusha T – The Games We Play

Image result for daytona pusha tI could never get tired of the griminess in Pusha T’s vocal delivery. His energy is in top form here, dropping non-stop bars of  vivid imagery and clever wordplay.

41. Joji – SLOW DANCING IN THE DARK

Image result for joji ballads 1A complete evolution from the former absurdist comedian, Joji’s take on the current trend of moody alt-R&B features some absolutely beautiful and explosive digitized synth tones that support his emotionally charged delivery.

40. BROCKHAMPTON – NEW ORLEANS

Image result for iridescenceThe rap collective opens their first major label studio album with a bang. The off-the-wall group trade some equally bombastic verses over a supercharged instrumental.

39. Nao – Another Lifetime

Image result for nao saturnRecorded after a breakup, hearing this much genuine emotion in Nao’s usually calm and collected vocal tone is incredibly moving as she sings about the loss of a once-in-a-lifetime connection.

38. Bas – Purge

Image result for bas milky wayOne of my biggest growers this year, the Dreamville rapper’s speedy flow and switch-ups are top-notch as he easily navigates through an entertaining and soulful sample flip.

37. Ariana Grande – God is a woman

Image result for sweetener coverWhen I saw the video for the first time I became convinced that this would slowly grow into one of Grande’s most memorable career songs years down the road. The choral ending of this track is truly transcendent.

36. Kero Kero Bonito – Make Believe

Image result for kero kero bonito time n placeOne of the most similar tracks to their earlier work on the experimental pop collective’s latest, heavier project, Sarah Bonito’s adorable voice is at its best over some colourful and animated synth tones.

35. James Bay – Pink Lemonade

Image result for james bay album coverAn energetic retro-pop track featuring Bay’s new, more upbeat style over some crunchy guitars and a conclusion with some seriously catchy harmonized chants.

34. BTS – Paradise

Image result for bts love yourself tearWestern pop music watch out – the K-pop invasion is coming over quickly. The wildly popular boy band applies some aspects of 90s West Coast hip-hop to this track.

33. Jack White – Corporation

Image result for jack white boarding house reachA lengthy, mostly instrumental monster of a track – I was so happy to observe White doing something so  innovative and different with the rock and roll format. This is White at his most theatrical, embodying some sort of deranged preacher.

32. KIDS SEE GHOSTS – Reborn

Image result for kids see ghosts“Keep moving forward”. The centrepiece of the spectacular Kids See Ghosts album, Kanye West and Kid Cudi lean on each other for support as they discuss their respective mental health issues.

31. Janelle Monae – Make Me Feel

Image result for dirty computerFeaturing a guitar riff produced by Prince himself, Janelle Monae proves she’s the closest living artist with this slick and sensual synth-funk track.

30. J. Cole – Kevin’s Heart

Image result for kod j coleOn an album where J. Cole talks about the dangers of giving yourself over to various addictions, love proves the strongest drug of all as Cole embodies a character struggling with fidelity – with a fun videogame-esque beat and some serious technical skill to back it up.

29. Lauren Jauregui – Expectations

Image result for lauren jauregui expectationsThe ex-Fifth Harmony member sounds like a young Alicia Keys over a minimal beat that places the spotlight on her impressive and emotional vocal showcase. How great would her boyfriend Ty Dolla $ign sound on this soulful track??

28. Blood Orange – Saint

Image result for negro swanThe producer extraordinaire goes in more of an R&B/funk direction than ever before, offering a complex and jazzy musical world amplified by some great gospel-tinged harmonies – “doing the most”, as the album’s powerful theme puts it.

27. Charlie Puth – Empty Cups

Image result for charlie puth voicenotesThe song that never left my head all year, this is just a smartly structured, bouncy 90s R&B chorus from the classically trained pop singer who really surprised me this year.

26. Mitski – Nobody

Image result for mitski be the cowboyIndie-pop singer-songwriter Mitski’s voice already sounds like it belongs to another era, and the near-disco, overly energetic flavour of the instrumental here, in stark contrast with Mitski’s lyrics nearly losing her mind due to loneliness, completes the retro-pop image.

25. Cardi B – I Like It (Ft. Bad Bunny & J Balvin)

Image result for cardi b invasion of privacyLatin trap exploded into the mainstream this year, and none harnessed it better than Cardi B, recruiting two of the genre’s biggest stars. Cardi’s aggressive flow never fails to enliven me, and that sample flip is a great added touch.

24. Kim Petras – Heart To Break

Image result for kim petras heart to breakAn all-out bubblegum pop extravaganza. Petras hits some seriously impressive notes on the chorus, but the whole song moves along with this irresistible driving energy that’s hard to ignore.

23. RL Grime – Take It Away (Ft. Ty Dolla $ign & TK Kravitz)

Image result for rl grime novaI was sent to another dimension the first time I heard the drop on this track. Those deafening, steadily growing synths and well-placed silences makes it feel like someone is repeatedly firing up some kind of generator. Ty Dolla $ign is always more than capable on the mic as well.

22. Kacey Musgraves – High Horse

Image result for golden hour kacey musgravesThe country artist’s poppiest song yet, we all know someone like this song’s subject. Musgraves blends the slightest of country aspects in the instrumental with an 80s dance beat and some sharp harmonies.

21. Robyn – Because It’s In The Music

Image result for robyn honeyThe Swedish pop savant has always found the perfect way to encapsulate the feeling of crying on the dance floor, partying the pain away, and this track is no exception. The track feels like an escape, easy to get lost in the inviting musical world.

20. Ella Mai – Trip

Image result for ella mai album coverThe piano-heavy R&B track brings a classic sound back in a big way, Mai’s effortless and silky-smooth vocals commanding your attention. Something about that staccato phrasing in the hook makes the track irresistably catchy.

19. Anderson .Paak – Tints (Ft. Kendrick Lamar)

Image result for oxnard album coverTwo of the most charismatic artists in the industry link up for this paranoid and humorous funk track where .Paak just wants some privacy. I absolutely love songwriter Tayla Parx’s contribution to the harmonized outro – her discography this year alone is incredible.

18. Janelle Monae – Screwed (Ft. Zoe Kravitz)

Image result for dirty computerA call for a final party before the bomb drops, this might be the most overtly political track on an already defiant and revolutionary album. The track’s title serves as a poignant double entendre, Monae sounding like she’s having the time of her life in the studio over some shiny guitar riffs.

17. Nas – Cops Shot The Kid (Ft. Kanye West)

Image result for nasirThe cops shot the kid the cops shot the kid the cops shot the cops shot the kid the cops shot the kid the cops shot the cops shot the kid the cops shot the kid the cops shot the cops shot the kid the cops shot the kid the cops shot the cops shot the kid the cops shot the kid the cops shot the cops shot the kid the cops shot the kid the cops shot-

16. DRAM – Best Hugs

Image result for dram that's a girls nameThe most lovable guy in the music industry is back to steal your girl – the one with the incredible hugs – and criticize you for letting her get away. My most listened-to song of the year, it’s the combination of ridiculousness and legitimately great musicality that only DRAM can pull off.

15. Camila Cabello – Consequences

Image result for camila album coverOof. This song hit me right in the feels from the first time I heard it, a sparse piano ballad where Cabello offers some deeply personal lyrics about the end of a relationship where her trust was broken beyond repair. The orchestral version released as a single just brought the tears back in full force.

14. Denzel Curry – SUMO | ZUMO

Image result for denzel ta13ooThe sheer force with which Denzel screams that second introductory “OKAY?!” signals just what kind of a punishing track lies ahead. Heavy bass rattles as the horrorcore rapper goes to work with his dexterous flow. Charlie Heat is one of the best rap producers in the game.

13. SOPHIE – Faceshopping

Image result for oil of every pearl's un-insidesI’m just now realizing that I shouldn’t have put these two tracks beside each other. Another track out to unleash a full frontal assault on the listener, the experimental producer’s work is constantly disorienting, yet connected by a recognizable, pop-influenced thread, represented here by a rhythmically spoken – and likely sarcastic – ode to materialism.

12. Troye Sivan – Dance To This (Ft. Ariana Grande)

Image result for troye sivan bloomAnother track with an unreasonable amount of plays on my personal Spotify this year, Ariana Grande tones down her usually powerhouse vocals to match the subtle yet powerful approach of Australian pop artist Troye Sivan. A perfect slow dance song straight out of the 80s, that synth hook that introduces the song makes it a grower.

11. Childish Gambino – This Is America

Image result for this is america artworkEven without the brilliant and viral music video associated with the track, Childish Gambino’s views on the state of the world presented through the intentionally inane and distracting lens of trap music is still one of the most important statements of the year – even if I wish the standalone song still had those gunshots in it.

10. Kali Uchis – Flight 22

Image result for kali uchis isolationKali Uchis has often stated that she draws heavy inspiration from Amy Winehouse, and it’s never more evident than on this track. A downtempo track that verges on dreampop, the twinkling keys and string section highlight her smooth and sensual vocal inflections.

9. Pusha T – If You Know You Know

Image result for pusha t daytonaI knew I was in for something mindblowing with the Daytona album when this was the opening track. Featuring some of the most quotable lines of the year and a crisp, chopped-up guitar sample from Kanye West, Pusha T is absolutely out for blood on this one and he doesn’t care who gets caught in the crossfire.

8. Ariana Grande – thank u, next

Image result for thank u nextAriana Grande has been having a horrible year – and this was the most brilliant way possible to address it in song form. Recorded only a few months after her Sweetener album, Grande speaks out about how she’s learned from the pain and come out better for it, thanking each one of her ex-lovers for the person she’s become. But of course, we still need that dismissive and cathartic “next”.

7. Travis Scott – SICKO MODE (Ft. Drake)

Image result for astroworldThe fact that this disjointed, endlessly creative track became a #1 hit single is nothing short of amazing. Most of Travis Scott’s latest work is as chaotic and disorienting as the amusement park it’s inspired by, and this endlessly fun rap track shifts through 3 completely different segments as Scott keeps things lively with an energetic flow. For all the average work he’s put out this year, Drake absolutely steals the show with his verse.

6. Kanye West – Ghost Town (Ft. PARTYNEXTDOOR, Kid Cudi & 070 Shake)

Image result for ye album coverIt’s impossible not to feel something when new G.O.O.D. Music signee 070 Shake arrives on the outro of the track with her repeated and earnest mantra about freedom, breaking free from the pack. I can only imagine the experience singing it live with a crowd. The classic soul sample flip provides an excellent backbone to the track as well, West delivering some of the best singing he’s done in his career on his verse.

5. Kacey Musgraves – Rainbow

Image result for kacey musgraves golden hourI’ve always loved the complete purity in Kacey Musgraves’ vocals – she definitely has one of my favourite voices in the industry right now. The closer to her excellent Golden Hour is a lower-key track that highlights just how much emotion she can put into it as well, and it never fails to make me tear up just a little. A bittersweet track, Musgraves sings to someone who is incapable of seeing all the love they have around them.

4. Rina Sawayama – Cherry

Image result for rina sawayama cherryThe best pure pop song of the year, the always eccentric Rina Sawayama once again recruits experimental producer Clarence Clarity for an upbeat and endlessly layered track where Sawayama can’t contain her desire. Her dedication to taking the sound of early 2000s pop and modernizing it in a huge way is so engaging, those chords so familiar but twisted in such a new way as well. Every instrumental aspect of this track is a maddeningly catchy hook in and of itself.

3. KIDS SEE GHOSTS – 4th Dimension

Image result for kids see ghostsWhere does Kanye find these samples? One of the most creative sample flips I’ve ever heard, this was easily the standout on one of the year’s best albums as West completely refigures a Christmas song from the 1930s for his own purposes, isolating the part of the track that has the most untapped energy and applying a driving, tribal rhythm overtop. Kid Cudi doesn’t often spit a purely rap verse, but he more than keeps up with West here.

2. Amy Shark – Don’t Turn Around

Image result for amy shark love monsterIt’s shocking how singer-songwriter Amy Shark can describe such a detailed, specific scenario in her songs that still comes across as so relatable, to the tune of some smartly written pop melodies. Shark keeps getting into situations where she’s forced to see her ex, simultaneously imagining a future whirlwind reconnection and frantically telling herself to just let it go. Some of my favourite lyrical content of the year, Shark’s unassuming vocal delivery fits the picture while her strummed acoustic chords are warm and easy to return to.

1. Janelle Monae – I Like That

Image result for dirty computerMy favourite track off of Dirty Computer, it represents the culmination of all the powerful statements of self-assertion Monae delivers across the project. “I’m the random minor notes you hear in major songs” might be my favourite song lyric of all time. Monae might not be for everybody, but she couldn’t care less – deviation from the norm is exactly where she belongs, and if she’s the only one on board with what she’s putting forward, then that’s perfectly fine. Monae sounds effortlessly cool on the track, delivering some impressive vocal runs and even a rap verse addressing a school bully, and the repeated backup vocal line is just the perfect set of soulful chords that keeps me returning. Keep doing what you do best, Janelle.

That’s the music that got me through this year, stay tuned for my Top 25 albums of the year on Friday, when we’ll say “thank u, next” to the music of 2018.

Check out this list on Spotify below!

https://open.spotify.com/embed/user/22c72yrohsaragcu6c43zj6fa/playlist/6abpgfxueTZr6FspGVIHyE

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Rapid Fire Reviews (James Bay, BTS, Pusha T)

Image result for james bay electric lightJames Bay – Electric Light

James Bay completely revamps his image on sophomore album Electric Light, linking up with Adele producer Paul Epworth to take his music in a much poppier direction, while still maintaining the soulful, almost gospel-influenced delivery that lent itself well to his stirring rock ballads. The transition isn’t always seamless, the album coming across as quite a mixed bag at times, the songs containing a lot of raw power that doesn’t always fall perfectly into the structure of a song. But when Bay settles into a groove, his delivery stands out among his contemporaries.

Opening track “Wasted On Each Other” is a pretty good representation of what we’re going to get over the rest of the album, Bay introducing the chorus with some falsetto vocals and a steadily building synth line before his heavier guitars and powerful delivery cascades back in too quickly. Bay doesn’t have the greatest grasp of his strengths on the project, offering some spectacular moments inconsistently. Many of these tracks are perfectly fine, but they could be a lot more as demonstrated by standout tracks like “Pink Lemonade” and the incredible gospel harmonies on “Fade Out” that feel so much more natural than the digitally altered companions “Wild Love” and “In My Head”. The latter especially feels like it’s teetering right on the edge of being something incredible, never reaching it. The sparse, passionate chorus feels immediately anthemic and iconic, but it’s brought down by abrupt shifts in energy and out-of-place pop synths. It feels like three genres collide awkwardly on the majority of the tracks, and when he focuses on a single one, he shines every time. Single “Pink Lemonade” is an energetic retro-pop track, driven by a prominent bass riff and a harmonized chorus. The crunchy guitars and electronic elements make the track chaotic in the best way, most of the musical elements dropping out near the track’s conclusion to showcase that standout voice before the drums roll back in for the dramatic conclusion.

For someone who seems so desperate for a change in his perception across the project, the most characteristically Bay songs frequently stand out, adding enough of a change with the fuller instrumentation while maintaining the things that make him a unique artist. “Us” is a beautifully-written gospel piano ballad, a choir backing him up as he returns to the intimate, confessional songwriting that drew him notice in the first place. Closing track “Slide”, as well, is a much quieter song detailing the rediscovery of love after the end of another relationship – and Bay’s ability to convey emotion absolutely sells it with every tiny warble and trill. But if there’s one thing he’s consistently incredible at, its the ability to write a dynamic and stirring chorus. “Just For Tonight” is another larger-than-life harmonized track that brings back the fuzzy guitars and coasts on its own energy.

Bay essentially performs a reverse Harry Styles here, shifting from cheesy rock to universally appealing pop rather than cheesy pop to universally appealing rock. In a similar way, he undergoes a dramatic shift to shed the image of the guy with the huge hat singing an acoustic rock ballad for something more ambitious and dynamic, citing Prince and Frank Ocean as influences, and overplays his hand. Still, the fact that about half of it works VERY well is incredible in and of itself.

Favourite Tracks: Pink Lemonade, Us, Slide, Fade Out

Least Favourite Track: Stand Up

Score: 6/10

Image result for love yourself tearBTS – Love Yourself: Tear

The staggering popularity of Korean boy-band BTS has become too great to ignore, the group debuting this album at #1 and receiving a Top 10 hit in the USA with their lead single “FAKE LOVE”. I didn’t know much about what to expect with this album, and I must say that BTS certainly exceeded my expectations. Love Yourself: Tear is a little erratic and trend-hopping due to the stronger focus on widespread commercial appeal in the K-pop market, but the interplay between the group’s many members and their inclusion of sounds from the 90s, even diving into some instrumentals that remind me of old-school West Coast hip-hop, make the project a lot of fun.

“FAKE LOVE” is a certified banger and absolutely deserves all of the success it’s getting. It introduces a lot of the 90s vibes of the album well, and it’s one of the rare occasions where the singers of the group steal the thunder from the rappers – those “just for you” backing vocals are delivered so well to support them, and there’s about three different hooks to get stuck in your head permanently here. RM, or Rap Monster, emerges as the true star of the group on most of the track he features on, however. “Anpanman” and especially “134340” clearly draw heavy inspiration from West Coast legends, RM sounding like he’s trying to emulate Snoop Dogg over the woodwind instrumental and G-funk tempo. His deep, laid-back vocals are effortless and distinctive from the group’s other rappers – and he has some seriously impressive technical skill as well, “Outro: Tear” verging on speedrap.

“Paradise” continues the streak, creating the most immediately catchy track here by adding a skittering trap beat to some classic 90s cascading synth chords and another chilled-out verse from another of the group’s rappers, Suga contrasting a pretty flawlessly written chorus melody. The producers here know exactly what they’re doing, and when you combine their dance ability with these catchy pop choruses and rap talent it’s easy to see why the group is such a worldwide phenomenon. There was never a popular boy-band quite this dynamic and versatile – the closest comparison being something of a much larger, male TLC. They try out a lot of styles across this project and succeed at most of them – I even love the enormous EDM breakdown on the cinematic, uptempo “Magic Shop”.

The project is carried by the energy generated by the group’s interplay and rapid-fire delivery, and the album does take a little while to get going in this regard. The intro, “Singularity”, and the Steve Aoki-produced “The Truth Untold” are both structured like a 90s slow jam, the singers of the group delivering passionate vocals over a waltz tempo, but knowing what I know now about the group I’m just waiting for RM to jump back on the mic and electrify the song. I can’t deny how well these tracks are produced, though – maybe this is a case of the language barrier stepping in. You can see the wheels of marketability turning behind the scenes a bit too much as well, a track like “Airplane pt.2” being a pretty watered-down imitation of the Latin pop explosion.

BTS have a lot of things going well for them, and it seems like the team around them know how to cater to those strengths. Love Yourself: Tear makes it impossible to deny the talent behind one of the world’s most popular acts.

Favourite Tracks: Paradise, 134340, FAKE LOVE, Outro: Tear, Magic Shop

Least Favourite Track: So What

Score: 7/10

Image result for daytona album coverPusha T – DAYTONA

I really thought I was going to be reviewing A$AP Rocky’s latest disappointing release TESTING here, but Pusha T’s victory over him in sales is incredibly exciting for everyone at G.O.O.D. Music and it means I have no excuse but to talk about it. DAYTONA is the first of five 7-track albums in superproducer and controversy magnet Kanye West’s ambitious plan to release back-to-back projects produced primarily by himself. With a ruthless and dominating mic presence like Pusha T, it means there is absolutely no room for filler and the shorter length works wonders, Pusha taking no prisoners for just over 20 minutes. West’s beats are as soulful as they’ve ever been, with a new cold and calculating edge that matches Pusha’s menacing sneer and ominous wordplay.

As Drake may have famously learned, Pusha T is not to be underestimated as a lyricist, or anything else – even if the subject material is mainly the same, he has some of the cleverest wordplay and cultural references in the game. The real appeal for me has always been the way he delivers the lines, however. Pusha T’s voice is very distinct, very expressive with its inflections yet remaining at the deeper tone we know him for that complements darker instrumentals so well. His ability to sound so happy, or surprised, or angry by raising his voice just a tiny bit allows him to issue threats to his enemies with a kind of demonic glee. The project opens with a great 1-2 punch in “If You Know You Know” and “The Games We Play”, which are a welcome return to classic Kanye production. The former chops up a piercing guitar wail into a syncopated hip-hop beat, but “The Games We Play” sounds like it’s directly off My Beautiful Dark Twisted Fantasy, looping a catchy guitar riff with some cinematic horn stabs punctuating Pusha’s every gritty description of his drug-dealer past and yeugh ad-lib. It makes you feel like he puts everything he has into every single word he states, drawing out syllables and overpronouncing words to make sure we understand. We get the greatest display of commanding vocal presence on closing track “Infrared”, an incredibly thinly veiled shot at Drake and other members of what was once the Young Money label, accusing him of ghostwriting and losing his identity pandering to white audiences.

West’s production always succeeds both in bringing the absolute best out of Push and offering a bit of a counteraction to the non-stop verbal assault when necessary. “Come Back Baby” is the centerpiece of the album, Pusha T delivering a more basic flow that makes every word count over one of the most minimal beats here, not much more than two notes of creeping synth-bass, before the chorus transitions into a generous sample of soul singer George Jackson, a jarring shift to a completely different and catchy alternative that shouldn’t work as well as it does. West’s sample work is what he’s known for, and they show up on every single track here. “Hard Piano” has another great sampled chorus and looped, muted jazz piano that draws just enough attention as Pusha takes the spotlight – average Rick Ross feature aside. The beat switch in “Santeria”, the off-kilter soul organ picking the track back up from 070 Shake’s chilling, echoey vocals, is the best moment on the whole thing.

I almost want to say that the true star of the project is West, but that isn’t true at all – all the studio sessions in Wyoming resulted in a perfect fusion of their respective strengths. The beats are still characteristically West, but we’ve never really heard anything like this from him. Not incredibly different artists, Pusha accomplishes his aims through a no-nonsense approach where West might fall back on a joke, and the adaptation of his production style to a dark and straightforward approach gives Pusha T all the ammunition he needs to exert his dominance.

Favourite Tracks: If You Know You Know, Santeria, The Games We Play, Come Back Baby

Least Favourite Track: Hard Piano

Score: 9/10