Atlanta rap trio Migos return with the sequel to the album that catapulted them to superstardom, which extends to a gargantuan hour and 45 minutes in length and recruits some high-profile guests as they flex their newfound muscles in the industry in the way only they can.
While the project is very excessive, not varying as much as it certainly should for such a long runtime, the album frequently surprises you by how much the Migos still have a firm grip on the sound that they helped popularize, their technical skill elevating them to another level amongst the scores of trap-rappers today and still finding ways to surprise the listener despite the oversaturation of the group and its individual members. Sure, the album is a chore to get through, but Culture II is full of sure-fire hit singles.
Can we just talk about “Narcos” for a second? This might be my favourite song associated with the rap trio yet, displaying their ridiculous personalities and quotable lyrics (“Magnifico!”), technical skill and a more innovative beat than usual all in the same place. I’ll be surprised if this one doesn’t explode – it’s set over a great Latin-sounding guitar sample that actually originates from Haiti, Offset settling into that chorus perfectly while Quavo provides the melodic hook and Takeoff absolutely demolishes the final verse in a technical showcase. This is the interplay between the trio’s strengths working at its absolute finest.
Speaking of innovative instrumentals, Migos are at their best on this project when they deviate from their formula and still succeed at displaying their chokehold on the pulse of current hip-hop music. They recruit Pharrell on single “Stir Fry”, apparently a leftover beat from T.I. in his prime, and demonstrate their versatility on the more Neptunes-esque production, adapting their flows to more of a swung tempo for a rare moment of deviation from the norm. Also, none other than Kanye West appears on the 21 Savage-featuring “BBO”, which still has a trap beat provided by co-producers – but West’s flipped brass section sample is still refreshing for the group.
Although we’ve heard the least from Takeoff since the Migos takeover, he is the star of this project, often trusted with the final verse and displaying some serious technical skill. We’ve heard everything the other two can do at this point, and the increased role for Takeoff is still giving us some new surprises. There’s too much content on this album to fit into a short review, but some other highlights include Post Malone’s hook on “Notice Me”, and the great piano instrumental, actually produced by Quavo himself, on “Crown The Kings”.
Major production contributor DJ Durel recently confirmed that Migos only spend 45 minutes at most on each song – and you can tell that they’re basically on autopilot here (They even have a song with that title on this project!). When you’ve defined an entire cultural movement, this isn’t necessarily the worst thing in the world, but listening to 24 tracks straight is tiring, especially when you begin to recognize the same tricks they use on many tracks. The lyrical themes become increasingly thin and repeated, a chorus of repeated lines such as the disappointing Drake-featuring “Walk It Talk It” or a carbon copy of an earlier song like the “Deadz”-emulating “Open It Up” leaving me wondering why the album wasn’t cut down to the pristine effect of the trap masterpiece that was the original Culture.
There are far too many filler tracks on here to proclaim the successes of the project’s highest highs – I will never listen to this album in full again, simply picking out my favourite tracks and forgetting about the rest. Not that the album doesn’t go as hard as you’d expect it to at all times, but for so many tracks, when the beat or the hook is just a bit subpar in comparison to its counterparts, songs quickly become expendable.
Maybe it’s my fault for expecting something that even closely resembled an album after the nearly endless stream of Migos content we’ve received since “Bad and Boujee” hit #1, but in comparison to the original Culture this plays as more of a mixtape quality project. It’s not enjoyable as an album at all, but it’s still absolutely impossible to deny that Migos energy and the interplay between the members that sparked the whole resurgence of a genre. Culture II is just fun enough throughout.
Favourite Tracks: Narcos, Stir Fry, Notice Me, Crown The Kings
Least Favourite Track: Flooded